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Study of the Afghanistan's Displaced Cultural Properties
本体12,000円+税
ISBN 9784750324470
判型・ページ数 A4・200ページ
出版年月日 2006/11/01

Study of the Afghanistan's Displaced Cultural Properties

Materials and Techniques of the Bamiyan Mural Paintings

戦乱期に海外に流出し、現在、「文化財難民」として日本に一時的に保護されているバーミヤーン仏教壁画片41点に、最新型の装置による自然科学的方法で壁画の材料と技法に関する研究を行った。シルクロード研究に貴重な情報を提供。第3巻の英語版。

Regarding the Publication of Recent Cultural Heritage Issues in Afghanistan (Norio SUZUKI)
Preface (Ikuo HIRAYAMA)
Preface (Norio SUZUKI)
Acknowledgements

Study of Afghanistan’s Displaced Cultural Properties
 1. Summary of the Displaced Cultural Properties
  1.1. Background for the Investigation of the Bamiyan Mural Paintings and the Displaced Cultural Properties (Kazuya YAMAUCHI)
  1.2. The Original Locations of Mural Pieces Removed from the Bamiyan and Foladi Sites (Shumpei IWAI and Kosaku MAEDA)
  1.3. Stratigraphy of Mural Paintings (Yoko TANIGUCHI)
 2. Objective of the Investigation (Ichiro SATO and Shigeo AOKI)
 3. Methodologies
  3.1. Recording by Silver Salt Photography (Motomitsu MOMII and Takayasu KIJIMA)
  3.2. Recording by High-Resolution Digital Photography (Ichiro SATO, Hiroshi ONISHI, Hiroyuki HAYAKAWA and Mitsuo ABE)
  3.3. Raking Light Photography (Motomitsu MOMII and Takayasu KIJIMA)
  3.4. Infrared Photogrammetry (Motomitsu MOMII and Takayasu KIJIMA)
  3.5. Ultraviolet Fluorescence Photograph (Motomitsu MOMII and Takayasu KIJIMA)
  3.6. Observation of Conditions (Yoko TANIGUCHI)
  3.7. Pigment Investigation using Visible Spectrometer (Hiromitsu SEKI and Nobuaki KUCHITSU)
  3.8. Pigment Analysis using Portable X-ray Fluorescence (Hiromitsu SEKI, Fumiyoshi KIRINO, Toru TATEISHI and Nobuaki KUCHITSU)
  3.9. Pigment Analysis using Portable X-ray Diffractometer (Shuji MAEO, Yoko TANIGUCHI and Nobuaki KUCHITSU)
 4. Results of the Investigation
  4.1. Photographic Record (Motomitsu MOMII and Takayasu KIJIMA)
  4.2. Results of Observation of Conditions (Yoko TANIGUCHI)
  4.3. Results of Pigment Investigation using Visible Spectrometer (Hiromitsu SEKI and Nobuaki KUCHITSU)
  4.4. Results of Analysis using Portable X-ray Fluorescence Analyser (Hiromitsu SEKI, Fumiyoshi KIRINO, Toru TATEISHI and Nobuaki KUCHITSU)
  4.5. Results of Analysis using Portable X-ray Diffractometer (Shuji MAEO, Yoko TANIGUCHI and Nobuaki KUCHITSU)
  4.6. Summary of Pigment Analysis (Yoko TANIGUCHI, Nobuaki KUCHITSU and Fumiyoshi KIRINO)
 5. Discussion (Yoko TANIGUCHI, Nobuaki KUCHITSU and Fumiyoshi KIRINO)
  5.1. History of the Study of Painting Techniques and Materials used in the Bamiyan and Foladi Mural Paintings
  5.2. Painting Techniques and Materials of the Bamiyan Mural Paintings
  5.3. Painting Techniques and Materials of the Foladi Mural Paintings
  5.4. Discolouration of Pigments
  5.5. Reds in Bamiyan
  5.6. Binding Media of the Bamiyan and Foladi Mural Paintings
  5.7. Summary
 6. Conclusion (Ichiro SATO and Shigeo AOKI)
Bibliography

Appendix
 Mural Painting Pieces Stripped from Cave K3, Bamiyan Site (Fragments 1-8)
 Mural Painting Pieces Stripped from Cave E(e), Bamiyan Site (Fragments 9-16)
 Mural Painting Pieces Stripped from Cave I, Bamiyan Site (Fragments 17)
 Mural Painting Pieces Stripped from Cave 4, Foladi Site (Fragments 18-25, 28-31)

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